Kathmandu, April 4
A panel discussion on the evolving landscape of documentary filmmaking in Nepal was held at Nepal Tourism Board, Kathmandu. Filmmakers Pranaya Limbu, Alok Adhikari, Shanta Nepali, Ichchha Gurung, and Deepak Tolange shared their perspectives during the event on the motivations, challenges, and prospects of documentary filmmaking in Nepal. Documentary filmmaker Prasuna Dongol facilitated the event.
Pranaya Limbu talked about the significance of continuous research and his focus on Nepal’s rich history and Newa culture. His journey emphasised the documentary’s potential to deepen the understanding of Nepal’s diverse narratives.
Alok Adhikari contrasted his filmmaking experiences in New York with those in Nepal. He highlighted the evolving documentary genres in Nepal and the pivotal role of funding in shaping these projects. He pointed out the necessity for filmmakers to adapt to changing narratives and financial landscapes.
Ichchha Gurung, representing the International Association of Women in Radio and Television (IAWRT) Nepal Chapter, highlighted the importance of film festivals in promoting female filmmakers. Gurung’s remarks shed light on the changing perspectives towards women in media and the industry’s push for greater inclusivity.
Shanta Nepali shared her motivations for focusing on community, culture, and gender-based issues, illustrating the shift from commercial to independent filmmaking in Nepal. This transition reflects the broader movement towards creative freedom within the Nepali cinema landscape.
Deepak Tolange discussed how his studies in visual anthropology strengthened his documentary filming style, allowing for a deeper connection with his subjects. His experiences demonstrate the interdisciplinary character of documentary work and its ability to investigate complicated social issues.
Participants also discussed the shift towards independent filmmaking in Nepal. The panellists collectively voiced the challenges of securing funding and called for increased support from both the government and the corporate sector to sustain the documentary genre in Nepal. The need for financial backing was a recurring theme, with Pranaya Limbu citing the global success of K-pop as an example of effective cultural promotion through strategic investment.
The struggle for creative freedom, the relevance of international collaboration, and the need for a comprehensive approach to cultivating Nepal’s creative skills were also discussed. The panellists were optimistic about the future of documentary filmmaking in Nepal, highlighting more chances for female filmmakers and the need for training and workshops for budding filmmakers.
The panel discussion was part of the National Filmmaking Conference, organised by the Department of Languages and Mass Communication, School of Arts, Kathmandu University. The two-day conference concludes on Friday.
